Hello Untapped Genres – Goodbye Writing Resistance!

May 23, 2013

To sonnet or not to sonnet? Iambic or Trochaic? Oh, screw it, I'll just write a novel!

To sonnet or not to sonnet? Iambic or Trochaic? Oh, screw it, I’ll just write a letter to the Queen!

Are you a poet who thinks fiction is a waste of words or who can’t fathom writing that many pages?

Are you a fiction writer who fears memoir will insult or embarrass your family and friends? An essayist who thinks novelists are incapable of getting to the point?

The genres you avoid because you are intimidated by their creative demands or you just don’t see the point have something significant to teach you. Of course you can’t specialize in every known genre, but you can benefit tremendously from exploring other forms. Think of it as creative cross training.

Working in a new genre might give you a new way to think about and use language.

You might find that creative constraints of a different genre set your imagination free. Or that after reining yourself in to practice the discipline of the “other” genre, you can’t wait to let loose in your usual genre. Your passion for your typical form might be reignited by having an “affair” with another genre.

Best of all, you can get a free introduction to new-to-you genres at the Loft Literary Center’s First Pages Conference on June 8. This free conference will fill fast, so register soon.

If you can’t attend the First Pages Conference or if you discover you want to learn more about the conventions and principles of “alien” genres, the Loft offers a smorgasbord of classes in a wide variety of genres and topics, in-person or online, from single-session to multi-week classes.

Many Loft classes like my Entering the Flow and Discover Your Way Around the Writer’s Block, which start in June, offer a full scholarship to one student. The Loft strives to keep classes affordable.

So if your first thought was that you can’t afford to go genre-hopping, you can assume that’s your resistance talking. Which is all the more reason to explore.

I’m curious: what genres have you not tapped yet and why?


Denying Possibilities Creates Writer’s Block

May 21, 2013

forbidden colorsIn No More Secondhand Art, Peter London describes how the phrase “forbidden colors” freed him from an artistic block.

“It was now apparent to me that my stuckedness wasn’t my failure to use well what I had; it was a failure of my imagination to allow me access to a full range of possibilities…”

London continues, “The problem was I had forbidden myself to employ a whole range of colors (it could have been lines or shapes or what have you) that could speak of things I wished to say but could not convey without those colors.”

When London recognized this, he took immediate action. He drove to go to an art store and “ravished” trays of oil pastels.

“If a color repelled me, I took it. If I had never used that hue or tint or shade before, I nabbed it… It cost me a fortune in their purchase. It had cost a fortune in their denial.”

Your Forbidden Range

What “range of colors” have you avoided in your writing? What are you unable to say because you’ve limited your possibilities to a few genres? What stories or topics are off the map of acceptable territory?

What do you think you shouldn’t write? What do you think you’re incapable of writing? What projects do you keep postponing because you “don’t have time?”

What fortune has your denial of these genres, stories and topics cost you?

Mapping the Forbidden Range

censor yourself canstockphoto8968105 (2)

What rules and beliefs censor your writing?

What do you think about each of those forbidden genres or taboo topics? More importantly, what half-formed, half-hidden thoughts do you keep turning away from?

I’ll admit that I think fiction is more interesting than memoir in general, and that my life in particular isn’t exciting enough to Twitter about, let alone write a memoir about.

But I don’t want to admit that I also hear in the back of my mind, “Except for the story about how ‘J’ thought ‘K’ was going to kill himself and went looking for the gun. That’s a good story, but I couldn’t write about that! Even if ‘J’ hadn’t made me promise not to tell to anyone.”

Behind the Forbidden Range

These thoughts that define the forbidden spring from our beliefs and rules. One of my rules is that I shouldn’t upset my family or hurt anyone’s feelings. I’m convinced that writing memoir would shatter that rule.

Do you share the rule that you shouldn’t hurt people? Or are you more aligned with Faulkner’s perspective that “The writer’s only responsibility is to his art… If a writer has to rob his mother, he will not hesitate; the “Ode on a Grecian Urn” is worth any number of old ladies.”?

I inherited the belief that loyalty means keeping family secrets. “What happens in our family is our family’s business and no one else’s” is the homegrown version of “What happens in Vegas, stays in Vegas.”

Subtle Costs

These rules and beliefs don’t recognize genre boundaries. You might choose to write fiction instead of memoir because you don’t want to hurt anyone’s feelings. But you might find that the “don’t offend” rule that prohibits memoir entirely also subtly limits the topics and experiences you address in your fiction as well.

You may be censoring yourself and not even know it.


The Maestro’s Artistic Darwinism or What’s Passion Got to Do with It?

May 16, 2013

goldfish canstockphoto5844496 (2)When the Maestro told the young musician “You lack passion” (see previous post), he was acting as, Paige McKinney pointed out in her comment on that post, an arrogant, self-appointed “agent of artistic Darwinism.”

This is the other reason I hate the Maestro story: the violin master is exclusionary. He filters people out. Personally, I think the world is a better place when everyone contributes their creative gifts. I prefer to filter people in.

It’s fine for an individual to limit how many students s/he takes on because teaching does take time and creative energy away from the teacher’s own creative work. But the Maestro didn’t say “I’m not willing to teach you.” He said the young violinist didn’t have what it takes to “make it.”

Experienced writers sometimes do this when they say, “If you want to be a writer, you have to ________”  and fill in the blank with “write 4 to 6 hours a day” or “write 2,500 words a day, 365 days a year” or whatever their current writing practice is.

What gets filled into the blank is rarely something a new writer has the time or skill to do. In all likelihood, it’s not what the experienced writer did when s/he first started; it’s something s/he grew into.

goldfish canstockphoto2399633 (2)Think You’ve Got What it Takes?

The aspiring artist (writer or musician) stands on one side of a huge chasm and the experienced artist stands on the other side and says “If you want to get where I am, you have to take this enormous leap of faith.”

Most aspiring artists look at the chasm and are filled with understandable fear, and walk away. Their fear stops them. But not because they lack passion.

When the young musician asked to play for the Maestro, he wanted what any aspiring artist wants – the reassurance that he had the talent to make the leap. That if he invested his future, all the time and energy and money of going to music school, and invested his dreams and hopes and poured his very heart and soul into music, that he wouldn’t crash and burn at the bottom of that huge chasm.

Aspiring writers want reassurance that they have talent, but talent isn’t what determines success. Anyone who has a basic level of verbal intelligence and writing ability can master the craft IF they are willing to put in the time and effort. And it’s a lot of time and effort – 10,000 hours to mastery as Malcolm Gladwell says in his book Outliers.

It’s not talent we need so much as willingness to do the work. You don’t have to leap the chasm; you can find a route into and across the canyon and back up. You can reach the other side, not with a huge leap, but one small, manageable step at a time.

The catch-22 is that reasonable people don’t want to invest 10,000 hours without some assurance that they have what it takes to make the investment worthwhile, but the only way to find out is to invest the time.

What Kind of Guarantee Can I Get?

goldfish canstockphoto3359699 (2)We all would love a guarantee that if we invest our time, creative energy, heart and soul into writing, it’ll be worth it.

On one level, no one can give us that guarantee. Because what we do is creative, it is by its very nature unpredictable. Every new writing project is different from the ones we’ve done before. We aren’t manufacturing widgets on an assembly line, so we can’t know how to make this project work, how long it take, how well it will turn out or even that it will turn out at all.

Every artist’s workspace and history is cluttered with at least a few false starts and dead ends.

Yet, on another level I know that you CAN be successful if you are willing to put in the time and the effort to learn craft skills and to develop a reliable writing process based on sustainable habits. (One place to acquire those skills is the Loft; one place to acquire those habits is my Discover Your Way Around the Writer’s Block class.)

Perhaps not “bestseller success,” certainly not “overnight success.” But if success means creating a piece of writing you can be proud of that reaches at least a small audience, I can guarantee you can get there. If you have a basic level of verbal intelligence and are willing to put in the time and effort, you can do it.

I assure you that your time, energy, money, passion, talent, time away from family and friends and self-respect won’t be wasted. I assure you that you don’t have to leap and let your heart and soul crash and burn at the bottom of that chasm.

I promise you that it may not work out exactly as you want it to, but you do have all the passion, courage and talent you need to handle whatever comes.


Overcome Your Writing Resistance

May 14, 2013

Free your brain from stress with one of these free pink stress-ball brains

Free your brain from stress with one of these free pink stress-ball brains

This Saturday May 18 from 9:00 am to 1:00 pm is your chance to Overcome Your Writing Resistance at ArtReach in Stillwater, MN. (more details)

Not only will you get the information you need to write more — more often, more freely, more effectively — you’ll have a ton of fun!

Free brains, writing for insights, candy with every writing exercise, creative playtime and a Brain Treasure Hunt — what’s not to enjoy?

 


The Maestro’s Advice and Why You Should Ignore it

May 13, 2013

violin canstockphoto5004236 (2)When a violin virtuoso on tour came to his city, a young musician named Tom talked his way into an opportunity to play for the Maestro. When Tom finished, the Maestro said “You lack passion.”

Years later when the Maestro came back, Tom, now a successful executive, arranged for a few friends to enjoy the concert from the very best seats and to meet the Maestro backstage after the performance.

Tom thanked the Maestro and said “You probably don’t remember, but I played for you once.”

“I said you lacked passion.”

“That’s right! How did you remember?”

The Maestro waved his hand and said “That’s what I tell all the young musicians.”

“But I changed my life based on your advice! I gave up on going to Juilliard and went to business school instead. I could have gone on with my music! I could be where you are now!”

“As I said, you lacked passion,” the Maestro said calmly. “If you had had passion, what I said wouldn’t have mattered. You would have pursued your music regardless of what I said.”

The moral of the story is that you should follow your passion no matter what anyone tells you.

I hate this story! It’s always bothered me and after doing the research for my book, I know why: It’s simply not true.

The reason most people don’t follow their dreams is not because they lack passion – or will power, discipline or talent – it’s because they don’t know how to manage fear.

Got Passion? Or Fear?

Passion and fear arise from the same part of the brain – the limbic system. As I explain in Around the Writer’s Block, if there is enough fear, the limbic system initiates the fight-or-flight response. When the limbic system takes over, the cortex is pushed out of the driver’s seat and all our creative thinking, problem-solving and commitment are temporarily lost.

It’s not that we stop wanting to play music or write, it’s that that passion is lost in the face of fear.

We don’t need to be told we lack passion; we need to learn how to respond to our fear. Reassurance, especially from those with more experience, is the first step in managing fear.

Next time: the other reason I hate the Maestro’s response and why you should too.


Are You Sure It’s Feedback You Want?

May 9, 2013

smiley group canstockphoto9462161_comp (2)You’ve probably seen it: the confusion, frustration, disappointment or disbelief when a writing group gives a writer requested, yet unwelcome feedback.

Readers wonder why the writer submitted the piece if s/he didn’t want honest feedback. They often judge the writer for being unprofessional.

The writer, on the other hand, wonders why at least some people in the group refused to give the kind of response s/he specifically requested.

When critique sessions go astray, it’s often because the writer only thought s/he was looking for observations about the piece. Below the level of conscious awareness, the writer wanted reassurance that s/he has what it takes, that s/he can write and should keep working at it.

I Couldn’t Find Reassurance, Will Critique Do?

There aren’t any “reassurance sessions,” so writers, especially aspiring writers, submit work that really isn’t ready for critique. The unconscious hope, I suspect, is that in the midst of the feedback, they’ll hear something that will allay their fears and help them keep going. 

Experienced writers also yearn for reassurance when we start a new project, sometimes consciously, sometimes unconsciously.

I’d love a guarantee that the book project I’m contemplating will be successful. I wish I knew that I’m not pouring my time, creative energy, passion, hopes and dreams into something that will only disappoint me and never amount to anything.

smiley encourage canstockphoto11681771 (2)No one can give me, you or any other writer that guarantee. But I can settle for someone I trust saying, “That’s sounds intriguing. Challenging, but perfect for you.” I’m buoyed and energized when that person asks, “What’s your next step?”

Isn’t That Childish?

We don’t ask for reassurance because we think we’re not supposed to need it when we’re adults. But the truth is, reassurance allows us to deal with fear. Even if we don’t worry about the monster under the bed anymore, adults have plenty to be afraid of.

Humans, like other primates, instinctively seek reassurance because it allows us to relax, which is an essential part of managing fear. Gaining strength from our social bonds is normal human behavior, nothing to be embarrassed about.

Gaining confidence and support from other people allows human begins to do amazing things. We are a social species and, despite the American mythos of the rugged individual, we aren’t meant to figure everything out on our own.

We don’t need to be patronized. We don’t need Pollyanna, New Agey “Everything will work out just the way you want if you visualize it enough” statements. That’s pseudo reassurance.

We need real reassurance. We need to hear a variation on, “This is hard, but you can do hard.”

We may need to be reminded that everything may not work out the way we want, but if we don’t try, it’s certain to not work out. When we know that someone else knows “You’ve got this,” we can take a deep breath and move forward into our audacious dream.

And there’s nothing childish about that.

Next post: The Maestro’s Advice and why you shouldn’t believe it for a minute.


Top Ten Tips for Writers

May 7, 2013

hazel and wren about_typewriterparts-e1311628436175Usually, I post my best stuff here first, but Hazel & Wren got first dibs on my latest Top Ten Tips list.

Fortunately, it’s just a link away and when you take that link, you can explore Hazel & Wren’s fabulous Literary Community website. Be sure to scroll down to see this week’s Three Things writing prompt. Enjoy!

P.S. I’d love it if you leave a comment on Top Ten Tips on the Hazel & Wren site!

 


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